This is literally going to be the worst post ever because I didn't learn, apparently, that I need to post about a movie right after I watch it. I seriously finished watching this movie last Monday night and I've put off writing about it, because I don't really know what to say and I really have no reason to rush. That's pretty awesome to say, though - I could take like, over an entire week to write a post because whatever.
So, forever ago I watched Nashville, directed by Robert Altman in 1975. I sort of hated and sort of loved the movie. I hated it because I hate country music, especially the kind that I had to listen to for three hours over the course of the film. I liked the ending of it, though, where all the different characters came together and interacted. It's one of those things where I wouldn't have the satisfying ending if I didn't sit through the rest of it, but I still just didn't really care too much about it overall. I feel really lazy saying I just didn't really care for the music so I didn't care about the movie, but eh, it's pretty much how I feel.
Watching every film out of Roger Ebert's Great Movie books, one day at a time.
Showing posts with label robert altman. Show all posts
Showing posts with label robert altman. Show all posts
Thursday, November 24, 2011
Wednesday, October 12, 2011
A Prairie Home Companion
So, before this project, I don't think I ever saw Robert Altman movie before. This is shameful because after seeing a number of his films now, he's for sure on my list of top directors. I love his style. He's got a great sense of character, and seems to be able to bring out these insanely good performances out of his actors. I love that he often goes against typical genres, and makes something really unique as well. His style really works for me, and I was excited to see today's movie because I've grown to like him so much.
Today I watched A Prairie Home Companion, which he directed in 2006. I remember hearing of it, but I guess the title always put me off because it sounded boring. I was sort of anxious about watching it because it's about a real radio show, as well, and I worried that I wouldn't understand any references it might make to actual facts. I was relieved that you could be totally ignorant and still enjoy this movie. I found it really funny and charming, and I had a great time watching it tonight.
Today I watched A Prairie Home Companion, which he directed in 2006. I remember hearing of it, but I guess the title always put me off because it sounded boring. I was sort of anxious about watching it because it's about a real radio show, as well, and I worried that I wouldn't understand any references it might make to actual facts. I was relieved that you could be totally ignorant and still enjoy this movie. I found it really funny and charming, and I had a great time watching it tonight.
Sunday, September 25, 2011
The Long Goodbye
Every time I go out to stores in the fall, I compulsively must by any pumpkin products that I find. This weekend I did some stockpiling of fall seasonal beers, and started excitedly buying pumpkin treats and Halloween decorations. I feel really stoked about fall this year - summer felt really short, but I can't explain how happy I am to start wearing hoodies, warm fuzzy shoes, and eating pumpkin everything. Who knows - I'm just really pleased that the weather has been so nice and fall-y.
Today I watched The Long Goodbye, directed by Robert Altman in 1973. It's an updated version of Raymond Chandler's novel, taking place in the '70s instead of the 1950s like most film noirs, I read that Altman wanted to give off the impression that Phillip Marlowe, the main character, had gone to sleep in 1950 and woke up in 1970. I was pretty skeptical at first, but I really loved this movie. The characters were great, and the story got a really unique and interesting update that worked really well for me.
Today I watched The Long Goodbye, directed by Robert Altman in 1973. It's an updated version of Raymond Chandler's novel, taking place in the '70s instead of the 1950s like most film noirs, I read that Altman wanted to give off the impression that Phillip Marlowe, the main character, had gone to sleep in 1950 and woke up in 1970. I was pretty skeptical at first, but I really loved this movie. The characters were great, and the story got a really unique and interesting update that worked really well for me.
Saturday, July 23, 2011
3 Women
I don't have a lot of time to write - it's storming really bad and unfortunately it's flooding in my basement for no apparent reason. since I don't want to a.) get electrocuted or b.) lose power, I'm going to try to finish this post before either of those things happens.
Today I watched 3 Women, directed by Robert Altman in 1977. It's a really strange, dream-like movie - in fact, in Ebert's essay, he mentions that it actually came to Altman in a dream and he just immediately wrote it down. I love weird dreams, and I'm always really interested in my own, especially vivid ones that really stick with me. I think it explains why I liked this movie so much. I love that it really felt like having an odd dream, just through the acting and the direction. What the film is actually about, or means, is sort of lost on me (and during flooding when I'm stopping to move stuff every few seconds) is not really something I can ponder about. Luckily for me, it seems like even Ebert (and Altman) isn't sure what the film really means.
Today I watched 3 Women, directed by Robert Altman in 1977. It's a really strange, dream-like movie - in fact, in Ebert's essay, he mentions that it actually came to Altman in a dream and he just immediately wrote it down. I love weird dreams, and I'm always really interested in my own, especially vivid ones that really stick with me. I think it explains why I liked this movie so much. I love that it really felt like having an odd dream, just through the acting and the direction. What the film is actually about, or means, is sort of lost on me (and during flooding when I'm stopping to move stuff every few seconds) is not really something I can ponder about. Luckily for me, it seems like even Ebert (and Altman) isn't sure what the film really means.
Friday, February 18, 2011
McCabe & Mrs. Miller
You might assume that having written a western film, I like them or know something about them. I don't. I wrote one because I don't like them. There are some that I have seen that I like, and many more that I am going to watch that I think I will like, but I hate traditional, American western movies (I say American to distinguish from spaghetti westerns). I don't really know why - I mean, I do, but not in an easy to sum up sort of way. They just don't work for me. And then, tonight I watched McCabe & Mrs. Miller, directed by Robert Altman in 1971. It is American, and it is a western, but it is not typical. It pretty much has the opposite plot of what most western films have. It doesn't feel like it has all the things I hate about westerns. I don't really relate to or understand John Wayne sort of characters, so I really liked this movie. I feel like to explain why this movie is so unconventional for a western, I have to spoil the end, so read the next paragraph at your own risk.
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